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	<title>Downtempo Canada &#187; Chillout</title>
	<atom:link href="http://www.downtempo.ca/category/chillout/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.downtempo.ca</link>
	<description>Music is my life, life is my music.</description>
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		<title>Nalepa, Bass Science &amp; The FMs [Native State]</title>
		<link>http://www.downtempo.ca/2008/02/29/nalepa-bass-science-the-fms-native-state/</link>
		<comments>http://www.downtempo.ca/2008/02/29/nalepa-bass-science-the-fms-native-state/#comments</comments>
		<pubDate>Fri, 29 Feb 2008 22:37:42 +0000</pubDate>
		<dc:creator>Dewey dB</dc:creator>
				<category><![CDATA[Chillout]]></category>
		<category><![CDATA[Downtempo]]></category>
		<category><![CDATA[Dubstep]]></category>
		<category><![CDATA[Glitch Hop]]></category>
		<category><![CDATA[IDM]]></category>
		<category><![CDATA[midtempo]]></category>

		<guid isPermaLink="false">http://www.downtempo.ca/2008/02/29/nalepa-bass-science-the-fms-native-state/</guid>
		<description><![CDATA[
When I look at this guy, the last thing that comes to mind is University Professor; however, to the contrary, Steve Nalepa teaches &#8216;Principles of Music Technology&#8217; at Chapman University Conservatory of Music.  He shows really talented classical musicians how to use ProTools, Ableton Live, Reason, etc.
To indulge his passion, he also makes his [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.downtempo.ca/images/steve-nalepa-large.jpg" target="_blank"><img src="http://www.downtempo.ca/images/steve-nalepa-small.jpg" align="left" border="0" hspace="10" vspace="5" width="150" /></a></p>
<p>When I look at this guy, the last thing that comes to mind is University Professor; however, to the contrary, <a href="http://www.stevenalepa.com/">Steve Nalepa</a> teaches &#8216;Principles of Music Technology&#8217; at Chapman University Conservatory of Music.  He shows really talented classical musicians how to use ProTools, Ableton Live, Reason, etc.</p>
<p>To indulge his passion, he also makes his own beautiful audiovisual masterpieces, under the moniker &#8216;Nalepa&#8217;. On his own, he&#8217;s released a handful of tracks on various artists compilations:</p>
<p>&#8216;Fresh&#8217; on <a href="http://www.nativestaterecords.com/releasesframe.html#left">Left Coast Liquid Vol. 1</a> {Native State [2005]}; &#8216;Porcelain&#8217; on <a href="http://www.nativestaterecords.com/releasesframe.html#beneath">Beneath The Surface</a> {Native State [2006]}; &#8216;Pomme Granite Dub&#8217; on <a href="http://www.sonic-dragon.com/?load=/cd/fst_release.htm">Future Sound Theory</a> {<a href="http://www.sonic-dragon.com/?load=/celestial_dragon.htm">Celestial Dragon Records</a> [2006]}; &#8216;Blue&#8217; on <a href="http://www.ccnow.com/cgi-local/sc_cart.cgi?6771889250773557">Devil in the Detail</a> {<a href="http://www.interchill.com/">Interchill Records</a> [2007]}; and &#8216;Flatlands&#8217; on <a href="http://www.visionaireworld.com/index.php">Visionair #53: SOUND</a> {<a href="http://www.visionaireworld.com/index.php">Visionaire</a> [2007]}.</p>
<p>Thanks to some motivation from the awesome artist <a href="http://www.bluetechonline.com/">Bluetech</a> [founder of <a href="http://www.nativestaterecords.com/">Native State</a>], we can look forward to all these tracks [as well as a handful of others] getting re-released later this summer as a full length album &#8211; &#8216;Flatlands&#8217;.  On top of this, it comes with a DVD packed  full of sexy fun times videos by <a href="http://www.benton-c.com/">Benton-C Bainbridge</a>, <a href="http://www.briankane.net/">Brian Kane</a>, <a href="http://brianziffer.com/">Brian Ziffer</a> and <a href="http://diatom.tv">Thomas Williams</a>.  Not enough? As an added bonus, this disk of goodness will feature remixes by <a href="http://www.theglitchmob.com/">The Glitch Mob</a>, <a href="http://www.myspace.com/jonasruxpin">Ruxpin</a>, <a href="http://www.meisderu.com/deru.html">Deru</a>, <a href="http://www.worldofkennethjamesgibson.com/apendics.htm">(a)pendics.shuffle</a>, <a href="http://www.davidlast.net">David Last</a>, RD, <a href="http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&amp;friendid=1000408814">RaNDom</a>, <a href="http://www.myspace.com/slidecamp">Slidecamp</a>, <a href="http://www.myspace.com/kero">Kero</a>, <a href="http://www.myspace.com/rena">Rena Jones</a>, <a href="http://www.kraddyodaddy.com">Kraddy</a>, <a href="http://www.myspace.com/aerostaticmusic">Aerostatic</a>, <a href="http://en.wikipedia.org/wiki/Bluetech">Bluetech</a> and the <a href="http://www.downtempo.ca/2008/02/06/nosaj-thing-unsigned-itunes/">Nosaj Thing</a> track <a href="http://www.downtempo.ca/2008/02/06/nosaj-thing-unsigned-itunes/">we posted already</a>!! For anyone into this music as much as I am, you are thinking &#8216;what an album&#8217;, and you are right!</p>
<p>Here&#8217;s an interesting side story while you regain your composure &#8212; while I was researching this article, I was told a very old friend of Steve&#8217;s came across tracks off my Nosaj Thing article that had been <a href="http://www.pampelmoose.com/mspeaks/?p=1296">cross posted</a> to <a href="http://www.pampelmoose.com">pampelmoose</a>, including the Nosaj remix of Flatlands. The mp3 was listed as &#8216;Nalepa&#8217;, and due to the relatively uncommon last name, he decided to check if it was the same  Nalepa.  Sure enough, it was&#8230;  So there ya have it &#8211; <a href="http://www.downtempo.ca">downtempo.ca</a> re-unites people!</p>
<p>Steve and his friend <a href="http://www.rnd-crew.com">MattB</a> [aka <a href="http://www.myspace.com/rndcrw">RaNDom</a>] from Japan, have been bouncing incredibly wicked ideas back and forth over the ocean [man, I love the 'net].  Together they go by <a href="http://www.myspace.com/basssciencecrew">Bass Science</a>. On December 7, 2007, they dropped their debut EP on Native State, &#8216;<a href="http://www.nativestaterecords.com/releasesframe.html#bass">Transmissions from Planet Dub</a>&#8216;. This very unique blend of well produced glitchy-bass-heavy-electronic-dubstep will slam you like a typhoon, and before you even notice you&#8217;ll be drowning in lush layers of atmospherics and angelic symphonics.   If you make it through that, you most likely will be smacked around by crisp drums and crushed by an immense bass weight.  Look out for the <a href="http://www.bass-science.com/">Bass Science</a> LP slaughtering heads across the nation, due to drop late 2008. Try &#8216;Imminent Threat&#8217; on for size below.</p>
<p>On top of all this, Steve has been working with Justin Rickles [aka <a href="http://www.myspace.com/brassworkagency">Brasswork Agency</a>]. Justin&#8217;s portfolio is as  impressive as Steves &#8211; a sound engineer, who&#8217;s worked with greats like Public Enemy and The Young Dubliners, releasing music on Plex Records, as well as the infamous Merck Records [a big favourite here at downtempo.ca, i love you Gabe!], and also putting out an upcoming release on LeftHouse Records. These Chicago-born, LA-based music/multimedia event producers combine powers to make the killer duo <a href="http://www.fabulousmorningswim.com/">The FMs</a>. Just recently they dropped <a href="http://www.nativestaterecords.com/releasesframe.html#fm">Fabulous Morning Swim</a>, also on Native State Records [you can buy it from <a href="https://www.beatport.com/en-US/html/content/release/detail/92641/fabulous_morning_swim_ep">Beatport</a>]. The FMs reminds me a lot of early IDM, but with a more modern spin.  The production skills of both of these talented individuals really shines through across the whole EP.  I&#8217;ve had a very difficult time picking out my favourite track from this album because I like them all so much!  So, I&#8217;ve chosen &#8216;Fancy Seeing You Here&#8217; because it suits my current mood the best.</p>
<p><a href="http://www.downtempo.ca/mp3/Nalepa-Porcelain.mp3">Nalepa &#8211; Porcelain</a><br />
<a href="http://www.downtempo.ca/mp3/Nalepa-Flatlands.mp3">Nalepa &#8211; Flatlands</a><br />
<a href="http://www.downtempo.ca/mp3/Nalepa-Pomme_Granite_Dub.mp3">Nalepa &#8211; Pomme Granite Dub</a></p>
<p><a href="http://www.downtempo.ca/mp3/Bass_Science-Imminent_Threat.mp3">Bass Science &#8211; Imminent Threat</a> [<a href="http://www.bass-science.com/Releases">Buy the EP</a>]</p>
<p><a href="http://www.downtempo.ca/mp3/The_FMs-Fancy_Seeing_You_Here_Original_Mix.mp3">The FMs &#8211; Fancy Seeing You Here</a> [<a href="https://www.beatport.com/en-US/html/content/release/detail/92641/fabulous_morning_swim_ep">Buy the EP</a>]</p>
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		<title>A Hero Story (Exponential Records)</title>
		<link>http://www.downtempo.ca/2008/01/13/am-architect-wait-till-the-ice-melts-exponential-records/</link>
		<comments>http://www.downtempo.ca/2008/01/13/am-architect-wait-till-the-ice-melts-exponential-records/#comments</comments>
		<pubDate>Sun, 13 Jan 2008 07:48:31 +0000</pubDate>
		<dc:creator>Dewey dB</dc:creator>
				<category><![CDATA[Chillout]]></category>
		<category><![CDATA[Downtempo]]></category>
		<category><![CDATA[Procrastination]]></category>
		<category><![CDATA[trip-hop]]></category>

		<guid isPermaLink="false">http://www.downtempo.ca/?p=23</guid>
		<description><![CDATA[Believe it or not, I do actually listen to all of the submissions for content on this page &#8230;and I get a lot. That said, this blog isn&#8217;t very big because I don&#8217;t believe in posting daily. I can&#8217;t stand bloggers that dilute their content with daily posts about the latest this and hottest that. [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.downtempo.ca/images/amarchsmall.jpg" target="_blank"><img src="http://www.downtempo.ca/images/amarchitect.jpg" align="left" border="0" hspace="10" vspace="5" width="150" /></a>Believe it or not, I do actually listen to all of the submissions for content on this page &#8230;and I get <em>a lot</em>. That said, this blog isn&#8217;t very big because I don&#8217;t believe in posting daily. I can&#8217;t stand bloggers that dilute their content with daily posts about the latest this and hottest that.  Quality over quantity, right?</p>
<p>So, on that note, someone whose persistently kept the emails flowing &#8211; <a href="http://www.myspace.com/exponentialmusic" target="_blank">Ernest Gonzales</a> aka <a href="http://www.myspace.com/theoryofeverything" target="_blank">Theory Of Everything</a>, the man behind <a href="http://www.antipop.net" target="_blank">Exponential Records</a>.  He had originally sent me Exponential Presents: Collapsing Culture, but that was during my one year hiatus from blogging. So, although I did indeed listen to it, I never really worked up the motivation to write about it.  Since then, he&#8217;s sent me all sorts of <a href="http://www.antipop.net/releases/" target="_blank">music</a>, among other <a href="http://www.ijustcrushalot.com/" target="_blank">things</a>.  Most of it is really good, but I, being not only a very critical and picky listener, but also an avid deleter, ended up only keeping a few tunes.  As it turns out, these all happened to be by <a href="http://www.myspace.com/amarchitect" target="_blank">A.M. Architect</a>.  Coincidence? Unlikely.</p>
<p>Like all of the musicians behind Exponential Records, A.M. Architect (Daniel Stanush &amp; Diego Chavez) are from San Antonio, Texas. Currently, they are working on releasing an EP or LP through Exponential later this year. Their production style is awesome &#8211; all tracks are well mastered, and the content is always very jazzy, luscious, and melodic. It reminds me a lot of Aphilas, or Sofa Lofa.</p>
<p>Recently, Ernest let me know about Wait Till The Ice Melts, a various artists compilation due to drop sometime in March, &#8216;08 on Exponential.  This time I listened to it front to back.  And then I listened to it again, which is rare for me. Like I mentioned, I have a lot of music to go through, so something has to be pretty damm good for me to listen twice. The songs I felt really stood out the most were Ernest&#8217;s &#8220;Caviar, Cigarettes, Dynamite, &amp; Laser Beams&#8221;, and of course, A.M. Architect&#8217;s &#8220;Upon&#8221;.</p>
<p>Check them out! I&#8217;ve also linked a handful of A.M. Architect tunes that aren&#8217;t on this compilation.  Enjoy, and make sure to <a href="http://www.antipop.net/shop/" target="_blank">grab a copy</a> of the compilation when it comes out in March.</p>
<p><strong><strong><strong><strong> </strong></strong></strong></strong><strong><strong><strong><strong><strong> </strong></strong></strong></strong></strong><a href="http://www.downtempo.ca/mp3/CaviarCigarettesDynamiteLaserbeams.mp3">Ernest Gonzales &#8211; Caviar, Cigarettes, Dynamite, &amp; Laser Beams</a><br />
<a href="http://www.downtempo.ca/mp3/Upon.mp3">A.M. Architect &#8211; Upon<br />
</a><a href="http://www.downtempo.ca/mp3/NextofKin.mp3" target="_blank">A.M. Architect &#8211; Next of Kin</a><br />
<a href="http://www.downtempo.ca/mp3/SleeplessNight.mp3" target="_blank">A.M. Architect &#8211; Sleepless Night</a><br />
<a href="http://www.downtempo.ca/mp3/Unspoken.mp3">A.M. Architect &#8211; Unspoken</a></p>
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		<title>SofaLofa &#8211; Pickled Think (Deep Water)</title>
		<link>http://www.downtempo.ca/2006/08/19/sofalofa-pickled-think-deep-water/</link>
		<comments>http://www.downtempo.ca/2006/08/19/sofalofa-pickled-think-deep-water/#comments</comments>
		<pubDate>Sat, 19 Aug 2006 06:02:23 +0000</pubDate>
		<dc:creator>Dewey dB</dc:creator>
				<category><![CDATA[Chillout]]></category>
		<category><![CDATA[Downtempo]]></category>
		<category><![CDATA[HipHop]]></category>
		<category><![CDATA[Instrumental]]></category>

		<guid isPermaLink="false">http://www.downtempo.ca/?p=16</guid>
		<description><![CDATA[ This is one of my favourite downtempo record lables, and one of the best EP&#8217;s i&#8217;ve ever heard. only 4 tracks, but every single one is on point.
&#8220;The Sofa Buoy’s first release for Deep-Water marries the lushest dreamscapes with equal measures of breaks and glitches. The release is the labels deepest foray into electronica [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.downtempo.ca/images/dwep007b.gif" target="_blank"><img src="http://www.downtempo.ca/images/dwep007b.gif" alt="" align="left" border="0" hspace="10" vspace="5" width="150" /></a> This is one of my favourite downtempo record lables, and one of the best EP&#8217;s i&#8217;ve ever heard. only 4 tracks, but every single one is on point.<br />
<em>&#8220;The Sofa Buoy’s first release for Deep-Water marries the lushest dreamscapes with equal measures of breaks and glitches. The release is the labels deepest foray into electronica to date, with producer Chris Cousin confidently steering his tracks toward the melodic and the atmospheric. The EP caters for the discerning disco with the up-for-it ‘Pump da Ball’ and loafs on that deep-sea sofa bed with ‘Struth Ruth’. Hint is rising high now that Ninja Tunes have snapped him up and his brace of limited edition 10” singles are hot property. The Old-skool pastoral downbeat king digs his teeth in to the quirky neck of ‘Counts the Accular’ with his synth-ed out and Minatuar-esque remix…essential stuff for all Hint-heads&#8221;</em></p>
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		<title>Aphilas &#8211; Instrumentally Ill EP (Merck)</title>
		<link>http://www.downtempo.ca/2006/08/19/aphilas-instrumentally-ill-ep-merck-2/</link>
		<comments>http://www.downtempo.ca/2006/08/19/aphilas-instrumentally-ill-ep-merck-2/#comments</comments>
		<pubDate>Sat, 19 Aug 2006 06:01:35 +0000</pubDate>
		<dc:creator>Dewey dB</dc:creator>
				<category><![CDATA[Brokenbeat]]></category>
		<category><![CDATA[Chillout]]></category>
		<category><![CDATA[Downtempo]]></category>
		<category><![CDATA[HipHop]]></category>
		<category><![CDATA[Instrumental]]></category>

		<guid isPermaLink="false">http://www.downtempo.ca/?p=15</guid>
		<description><![CDATA[ Something a bit different from Merck, the debut 7-track EP from latest signing Aphilas displaying an organic, multi-layered knack with instrumental hip hop and clever samples – all softly destined for the downtempo. Opening cut ‘Lifelong Fiction’ is gorgeous – the beats skipping effortlessly around a melange of strings, flutes, clarinets, the odd mandolin [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.downtempo.ca/images/aphilas.jpg" target="_blank"><img src="http://www.downtempo.ca/images/aphilas.jpg" align="left" border="0" hspace="10" alt=""  vspace="5" width="150" /></a> Something a bit different from Merck, the debut 7-track EP from latest signing Aphilas displaying an organic, multi-layered knack with instrumental hip hop and clever samples – all softly destined for the downtempo. Opening cut ‘Lifelong Fiction’ is gorgeous – the beats skipping effortlessly around a melange of strings, flutes, clarinets, the odd mandolin and loose vocal caresses – lovely cinematic styles painted blue. “That’s Just What It’s For” and “Collective Memory Loss” are much more Machine Drum induced, complete with more cut-ups and spannered arrangements, but head for the magnificent “Dubbed Coil of Smoke” on the flip for a smokey display of tight beats and midnight sparkling Rhodes keys, slightly reminiscent of Dj Shadow’s best, but with a different set of rules at its disposal. Very limited as per usual, some copies coming on purple/grey marble effect vinyl. Lovely.<br />
<a href="http://www.archive.org/details/mia049" target="_blank">Download</a> for free from <a href="http://www.archive.org/">archive.org</a>!</p>
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		<title>Manual &#8211; Until Tomorrow (Morr Music)</title>
		<link>http://www.downtempo.ca/2006/08/19/manual-until-tomorrow-morr-music/</link>
		<comments>http://www.downtempo.ca/2006/08/19/manual-until-tomorrow-morr-music/#comments</comments>
		<pubDate>Sat, 19 Aug 2006 06:00:26 +0000</pubDate>
		<dc:creator>Dewey dB</dc:creator>
				<category><![CDATA[Brokenbeat]]></category>
		<category><![CDATA[Chillout]]></category>
		<category><![CDATA[Instrumental]]></category>

		<guid isPermaLink="false">http://www.downtempo.ca/?p=13</guid>
		<description><![CDATA[Denmark&#8217;s Jonas Munk, aka Manual, first came to our attention with his mesmerising EP for the excellent Hobby Industries label. This debut Album for the increasingly devestating Morr Music label is sure to become regarded as a bit of a classic before too long&#8230;..there seems to be a bit of a buzz about this LP&#8230;&#8230;people [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.downtempo.ca/images/manual.jpg" alt=""  align="left" border="0" hspace="10" vspace="5" />Denmark&#8217;s Jonas Munk, aka Manual, first came to our attention with his mesmerising EP for the excellent Hobby Industries label. This debut Album for the increasingly devestating Morr Music label is sure to become regarded as a bit of a classic before too long&#8230;..there seems to be a bit of a buzz about this LP&#8230;&#8230;people talking. Where Manual differs from the idm fraternity is with his accoustic front. The spine that runs through almost every track accross the 9 gems on offer is an organic one&#8230;..melodica, guitars, Piano. The beats and percussive arrangements come as a definite afterburn&#8230;..almost an afterthought. Comparisons are hard to conjur up with any degree of precision, but think of Kim Hiorthoy, Boards, Mum. In fact, the overwhelming essence of this LP is in its immaculate musicianship and songwriting displays&#8230;warm, but not sickly&#8230;.melancholy&#8230;but uplifting. Recognisable, but new. Essential.<a href="http://www.downtempo.ca/manual.pls"></a></p>
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		<title>Edit &#8211; Crying Over Pros For No Reason (Planet Mu)</title>
		<link>http://www.downtempo.ca/2006/08/18/edit-crying-over-pros-for-no-reason-planet-mu/</link>
		<comments>http://www.downtempo.ca/2006/08/18/edit-crying-over-pros-for-no-reason-planet-mu/#comments</comments>
		<pubDate>Sat, 19 Aug 2006 05:59:17 +0000</pubDate>
		<dc:creator>Dewey dB</dc:creator>
				<category><![CDATA[Brokenbeat]]></category>
		<category><![CDATA[Chillout]]></category>
		<category><![CDATA[Downtempo]]></category>
		<category><![CDATA[Glitch]]></category>
		<category><![CDATA[HipHop]]></category>
		<category><![CDATA[IDM]]></category>
		<category><![CDATA[Instrumental]]></category>

		<guid isPermaLink="false">http://www.downtempo.ca/?p=11</guid>
		<description><![CDATA[ Edward Ma from Los Angeles is edIT. &#8220;Ed Ma&#8217;s first album as edIT features tracks that have been painstakingly sequenced, hiphop that takes glitchiness to the extreme. The style of the album takes cues from Prefuse 73, but taken to another level. Yet it is not really the tricky programming that really pops out [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.downtempo.ca/images/edit.jpg" align="left" border="0" alt="" hspace="10" vspace="3" /> Edward Ma from Los Angeles is edIT. &#8220;Ed Ma&#8217;s first album as edIT features tracks that have been painstakingly sequenced, hiphop that takes glitchiness to the extreme. The style of the album takes cues from Prefuse 73, but taken to another level. Yet it is not really the tricky programming that really pops out at you &#8211; it&#8217;s the soulfulness and smoothness with which each track is glued together from extremely small snippets of sound. The opener features an electric piano first noodling then exploding into a shower of digital particles, it&#8217;s all put together with the ear of an expert artist. Guitars peek around the edge of many of the pieces, and there is homage to both underground beats and more g-oriented swissbeatz styles going on. Perhaps the album&#8217;s only shortcoming is its relentless pace of all things digital and beautiful, that can be almost too much to bear. Crying over pros for no reason is emotional, instrumental hiphop at its finest &#8211; looking forward with its digital edge but also beating with a warm analog heart.&#8221;<strong><a href="http://www.downtempo.ca/edit.pls"></a></strong></p>
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		<title>I&#8217;m Not a Gun &#8211; Our Lives On Wednesday (City Centre Offices)</title>
		<link>http://www.downtempo.ca/2006/08/18/im-not-a-gun-our-lives-on-wednesday-city-centre-offices/</link>
		<comments>http://www.downtempo.ca/2006/08/18/im-not-a-gun-our-lives-on-wednesday-city-centre-offices/#comments</comments>
		<pubDate>Sat, 19 Aug 2006 05:58:23 +0000</pubDate>
		<dc:creator>Dewey dB</dc:creator>
				<category><![CDATA[Chillout]]></category>
		<category><![CDATA[Downtempo]]></category>
		<category><![CDATA[IDM]]></category>
		<category><![CDATA[Instrumental]]></category>
		<category><![CDATA[Rock]]></category>

		<guid isPermaLink="false">http://www.downtempo.ca/?p=10</guid>
		<description><![CDATA[ &#8220;It&#8217;s a busy life being John Tejada, a man who has graced some of the world&#8217;s most highly regarded independent labels with his signature presence &#8212; from the mighty Playhouse to Detroit&#8217;s 7th City and onto Ferox, Jazzanova, Plug Research, Scape and even Sub Pop &#8212; all the way to his own Palette recordings [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.downtempo.ca/images/im_not_a_gun.jpg" align="left" alt="" border="0" hspace="10" vspace="3" /> &#8220;It&#8217;s a busy life being John Tejada, a man who has graced some of the world&#8217;s most highly regarded independent labels with his signature presence &#8212; from the mighty Playhouse to Detroit&#8217;s 7th City and onto Ferox, Jazzanova, Plug Research, Scape and even Sub Pop &#8212; all the way to his own Palette recordings imprint. But it&#8217;s together with Japanese multi-instrumentalist Takeshi Nishimoto, however, that John has produced perhaps his most remarkable work &#8212; an acoustic overflow of ideas and post-rock configurations known as I&#8217;m Not a Gun &#8212; a project that has already delighted with a debut album for CCO entitled Everything at Once. For the last 5 years, almost without fail, John Tejada and Takeshi Nishimoto have swept aside their busy schedules every Wednesday to record material for their I&#8217;m Not a Gun project. John plays the drums, the guitar and his trusted laptop, while Takeshi completes the equation with his signature guitar and bass padding. Their music is not only a homage to the post-rock soundscaping that Chicago has become so well known for, it&#8217;s an advancement of its sound.</p>
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