Sam Nelson doesn’t use a single truly novel sound or effect on his first album as Little Plastic Pilots. Every sample and tone you hear has been used by one electronic auteur or another, and most have been done half to death. What’s most remarkable about Little Plastic Pilots, then, is the fact that an absolutely unmistakable personality and musical vision arises from the arrangement and interplay of these utterly familiar elements. Nelson doesn’t attempt to redefine or reinvigorate his genre (as have some of his biggest influences, including Aphex Twin, Autechre, and Boards of Canada); rather, he’s the sort of artist who, finding a complete set of tools and genre parameters available to him, exploits one corner of that established framework to the utmost. More often than not, it’s artists of Nelson’s temperament who create most of a given genre’s most memorable statements.